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“Gameshow” is now available to download and stream via Spotify, Apple Music and Google Play Music. No other electropop/indie rock band manages to generate such a mixed range of emotions from its music. This method of production, along with the increased depth of the band’s music, separates not only “Gameshow” from its predecessors, but also Two Door Cinema Club from its competitors. I went to Glastonbury Music Festival and came back with my favourite songs from my favourite acts including, Sean Paul, Stormzy, Kylie Minogue, Sheryl Crow. Trimble’s voice now takes the back seat to the prevalent beats and synthesis particularly noticeable in “Ordinary,” “Surgery” and “Good Morning.” The effect, reminiscent of Prince’s style of dance as a complement to his music, encourages the listener to “feel” the music. Portions of this mastering process that Two Door Cinema Club has achieved with “Gameshow” are evident in the minor changes within the production of each song. The title songs “Gameshow” and “Bad Decisions” both resemble the highly danceable songs of the band’s past recordings, and for that reason are sure to achieve the same, if not greater, amount of success as their predecessors. It is not to say that there are no songs in “Gameshow” that identify with the indie-rock and electropop mixtures that are familiar in the band’s previous albums. Watch: Two Door Cinema Club killed it on Jimmy Kimmel. The productions of Two Door Cinema Club’s past albums did not carry such depth. Watch: Two Door Cinema Club killed it on Jimmy Kimmel last night with performance of Bad Decisions. In a sense, it is evident that the band has matured in its song writing.įor those that are familiar with the heist film “The Italian Job,” the scene in which the characters have finally completed the heist and must go their separate ways, pockets stuffed with cash, would be perfectly covered by the current album’s weightier songs like “Fever” or “Invincible.” The sense of opportunity in these respective songs is impressive, for pieces with such critical lyrics and regretful undertones are seldom positive and opportunistic in their overtones. While some content within “Gameshow” is true to the band’s roots, such as “Are We Ready? (Wreck)” featured in “FIFA 17” for its recognizable upbeat tone, the headliners carry more weight than those of Two Door Cinema Club’s previous albums. “I Can Talk,” for example, is featured in the soundtrack of the popular soccer video game “FIFA.” The celebration of the occasion is complemented by the upbeat foreshadowing of the song. The headliners, “Beacon” and “Tourist History,” emanate a sense of occasion. Inspiration from the likes of David Bowie and Prince drove the tone of “Gameshow” to adhere to an 80’s nostalgia-themed movement.
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In order to retain current fans while simultaneously attracting a new audience, members Alex Trimble (lead vocalist), Kevin Baird (bass) and Sam Halliday (lead guitar) needed to produce a set list that retained the danceable, electropop attributes of the first two albums while venturing into new territory. “What You Know” and “Undercover Martyn” stood out as some of the most popular electropop/dance songs during their respective releases.
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While their first two releases found success in the increasingly competitive indie-rock scene, “Beacon” and “Tourist History” differ very little in terms of musical content, although this is not a bad thing. For the band, choosing to go abstract may have been one of their best decisions yet.Two Door Cinema Club’s third album, “Gameshow,” represents the proving ground for the relatively young band. Its retro animation style matches the upbeat tempo and vibrant, vintage synths that make the song especially unique. The video not only works for the song thematically, but also aesthetically. Watch Two Door Cinema Club’s Tastemakers Performance The New Zealand duo, comprised of Sean Wallace and Jordan Dodson, drew initial inspiration from Dante’s “Inferno” and adapted it to a video game as a “fun way to make this concept relevant and also give us a platform for the animators to develop and embellish with the band battling each other to escape hell and earn redemption.” “So we knew we needed to come up with a suitably epic metaphor to illustrate this brilliant song.” “When we first spoke to Alex, on the set of ‘Are We Ready’, it was clear that he hated social media as much as we did,” the directing partners say.
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Lea Michele Talks 'Funny Girl' Broadway Revival, Performs 'People' on 'Tonight Show': Watchĭirected by Thunderlips, the same pair behind Gameshow’s advertisement-eschewing debut single “Are We Ready (Wreck),” the video follows its preceding single’s unconventional style while breaking new artistic ground for the band.